Showing posts with label domestic violence. Show all posts
Showing posts with label domestic violence. Show all posts

Thursday, October 1, 2009

Quote of the Day

This is working for me, surprisingly, because, like Jim, the first track that I heard was "Kiss With a Fist". And it, it sounded like a lot of other things I heard before and then the feminist in my just, like, could not compute. I shout down when I heard that one!
- Jacquie Fuller, a newbie to Musicheads, letting her Feminist Flag fly regarding a song of Florence and the Machine's.

In related news, I may be moving to Minnesota. They do have the coolest people on their public radio stations.

Now, onto the song that raised Jaquie's feminist ire:



It is a violent song with a catchy, boppy beat. When Jacquie remarks, "She says it's metaphorical, but I don't quite get ... how. Seems pretty direct to me", I'm right there with her.

What's more, even if the song is metaphorical in nature, even if plates aren't being smashed over fictional characters' heads, the metaphor of violence for the mutually destructive forces playing part in the relationship explored through song is still intensely violent. Domestic violence doesn't just cover being physically beaten. It covers emotional violence as well. And if these two characters are feeling as though they're each being "kissed with a fist", then they are both guilty of abuse. A relationship that has mutually destructive people doesn't mean that it is a victimless relationship. Instead, it means there are two victims, and two perpetrators. Again, I turn to Jacquie in that "I can sort of run with the 'War of the Roses' absurdity of the song until we get to that chorus when she says, "A kiss with a fist is better than none", and there's something so direct about that that it hurts - in a bad way".

I'm going to posit that the reason that line hurts in a bad way is because many people have either been in or watched a friend be in a bad, destructive relationship where the prevailing wisdom was something along those lines - even if the fist was entirely metaphorical. It hurts because the thought that a relationship all about the drama, a relationship that is literally or metaphorically hurting its participants, is still better than the "nothing" of being single (and I use that in quotes simply because being single isn't nothing - far from it) isn't exactly an idea that exists at the edge of Crazytown. There are people who will (and do) prize a relationship over anything else, over their own well-being, over their partner's well-being, over their sense of self.

But it also hurts because that if that fist isn't metaphorical - if it is real and brutal and there - then a dark line about being in that relationship is better than not being in a relationship at all is all the darker. Because that darkness can be the thought that the persons involved in this type of relationship are already broken, that they don't deserve a better, mutually beneficial relationship.

October is Domestic Violence Awareness Month this year. Songs like this one, peppy-fun-and-bubbly-on-the-surface songs, should be called out as representing a particular kind of domestic violence no matter the interpretation at any point in the year. But it seems a bit more crucial, a bit more pressing, during this particular month. Because too often, we aren't aware.

Saturday, March 7, 2009

Women, Rip Van Winkle, & Domestic Violence

A good friend of mine had up a link on his Facebook feed, advising people to read the fourth panel:Which reads: "Well, I wrote a little song about women, called 'Women are Special (They will not stop until we are dead". I had a problem with it at this point, and in the course of calling him for other reasons, pretty much expressed my distaste with the sentiment expressed in that one box. Because, hey, women are half of the population and if you seriously think maligning 50% of the population is a good idea, then there's a bit of an issue. He responded that most of the women in his life had wronged him at some point in some way, and I told him that most of the people in his life had wronged him at some point in some way - that's what happens when you have an insane amount of friends; some of them are going to not be so great, and sometimes even the great people screw up. He also mentioned the "Boys Are Stupid" Flair permeating Facebook as a reason why his link wasn't so bad. And here's where the "equal opportunity" insult falls flat on its face. Because the "Boys Are Stupid" flair is bad:




But it doesn't take into account certain inequities in life. There is a Gavin de Becker quote that says, "At core, men are afraid women will laugh at them, while at core, women are afraid men will kill them". Now, I'm not saying every woman is afraid of men, or that every man is afraid of being laughed at by women, or that some women aren't afraid of looking foolish in front of men or that some men will not experience the very real fear that a woman in their life is not only capable of killing or abusing them, but that it is also a probable outcome of their situation. What de Becker's quote does highlight, though, is the patently ridiculous and hurtful sentiment expressed in the above comic strip. Because domestic abuse is a very real, very large issue. Because:
Battering on women is the most under reported crime in America.

Domestic violence is the leading cause of injury to women between the ages of 15 and 44 in the United States; more than car accidents, muggings, and rapes combined. "Violence Against Women, A Majority Staff Report," Committee on the Judiciary, United States Senate, 102nd Congress, October 1992, p.3.

Three to four million women in the United States are beaten in their homes each year by their husbands, ex-husbands, or male lovers. "Women and Violence," Hearings before the U.S. Senate Judiciary Committee, August 29 and December 11, 1990, Senate Hearing 101-939, pt. 1, p. 12.

One woman is beaten by her husband or partner every 15 seconds in the United States. Uniform Crime Reports, Federal Bureau of Investigation, 1991.

About 1 out of 4 women are likely to be abused by a partner in her lifetime. Sara Glazer, "Violence, Against Women" CO Researcher, Congressional Quarterly, Inc., Volume 3, Number 8, February, 1993, p. 171.

Approximately 95% of the victims of domestic violence are women. Statistics, National Clearinghouse for the Defense of Battered Women, Ruth Peachey, M.D. 1988.
...
Domestic violence is not only physical and sexual violence but also psychological. Psychological violence means intense and repetitive degradation, creating isolation, and controlling the actions or behaviors of the spouse through intimidation or manipulation to the detriment of the individual. "Five Year State Master Plan for the Prevention of and Service for Domestic Violence." Utah State Department of Human Services, January 1994.

Those statistics and figures make the assertion that it is women who will not stop until the men are dead laughable. And yet, the image of women sucking out the souls of men, as the comic continues on:

is a cultural staple. The shrewish woman is a staple on sit-coms, and in movies and in how we frame relationships. And it has been, for years and years, and centuries upon centuries. In stories like Rip Van Winkle, our sympathies are directed toward Rip:
I have observed that he was a simple, good-natured man; he was, moreover, a kind neighbor and an obedient henpecked husband. Indeed, to the latter circumstances might be owing that meekness of spirit which gained him such universal popularity; for those men are apt to be obsequious and conciliating abroad are under the discipline of shrews at home. Their tempers, doubtless, are rendered pliant and malleable in the fiery furnace of domestic tribulation, and a curtain lecture is worth all the sermons in the world for teaching the virtues of patience and long-suffering. A termagant wife may, therefore, in some respects, be considered a tolerable blessing; and if so, Rip Van Winkle was thrice blessed.
Certain it is that he was a great favorite among all the good wives of the village, who, as usual with the amiable sex, took his part in all family squabbles and never failed, whenever they talked those matters over in their evening gossipings, to lay all the blame on Dame Van Winkle."
It isn't until we have been assured of the Dame's shrewish ways and Rip's goodliness that we are told in sympathetic terms what may account for Dame Van Winkle's irritability - though it isn't framed as such. According to Hawthorne, "The great error in Rip's composition was an insuperable aversion to all kinds of profitable work", and his children looked ragged and like beggar children. And yet, still, we are told that he would do all the odd chores around the other wives' homes their "less obliging husbands would not do for them", possibly because those less obliging husbands were actually making the money necessary for their wives and children to not have to scrimp and save. And at the end of the tale, Rip awakens from his twenty year nap and finds his wife has died in his absence; this is seen as a major plus for Rip, as "he had got his neck out of the yoke of matrimony, and could go in and out whenever he pleased without dreading the tyranny of Dame Van Winkle." Published in 1819, the perceived dynamic between men and women seems to have changed very little. Men endure wifely 'nagging', with little attention paid to whether or not that wife has a valid concern or not.

And what makes this even more insidious is that the same cultural norms play out when we are discussing the other, distorted aspects of male-female relationships. It comes down to the women. In domestic violence cases, one of the questions that invariably gets asked is "What did she do?", the implication being that if only the woman in question was a little less shrewish, a little less demonic, a little less harpish, she wouldn't have gotten hit. Again, this isn't the question that comes up for everyone; not everyone asks this question. Not everyone thinks this thought. But it is still a prevalent thought, in articles and message boards - especially in high profile cases. This same thing can be found when we discuss rape victims, when we tell women that to wear certain outfits and to go certain places and to act in certain ways is to open the door to sexual assault.

To assert that men are in general the victims of women and their soul-sucking ways is ludicrous. To assert that 'women', as a monolithic group, are threats to men and want them dead is also ludicrous. Because it just reinforces the notion of that mean woman married to the harried man. It attempts to give men, all men, regardless of whether or not they are married to nice, non-soul-sucking women, victim-status. It attempts to strip all women, whether or not they are nice, non-soul-sucking women, of their very humanity - literally, by turning them into demons. And it also reinforces the notion of men and women not as partners, not working in tandem, but as being in a constant struggle, as a war. I don't know about anyone else, but when I'm in a relationship, I prefer not to categorize that relationship as being a tug-of-war, a constant battle, a situation in which I am the perpetual victim. I would prefer to think of it - and portray it as - a give-and-take, a loving and dynamic duo. And for those who would categorize their relationships the other way, well, maybe they should just not be in a relationship.